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AFED #101: La casa muda [The Silent House] (Uruguay, 2010); Dir. Gustavo Hernández

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Gustavo Hernández's supernatural horror attracted some attention on the festival circuit by virtue of its principal gimmick: it was filmed in a single unbroken handheld shot and takes place in real time. There's nothing new about this; Hitchcock ostensibly did the same thing with Rope (albeit cheating due to the technical limitations of the time) and more recently Alexander Sokurov deployed it with his Russian Ark . It's probably more useful to consider The Silent House in the context of horror's ongoing flirtation with vérité techniques in the pursuit of more authentic and visceral frights; a tradition that stretches from Night of the Living Dead to The Blair Witch Project to Paranormal Activity . Yet despite that the plot harkens back the golden era of Victorian supernatural fiction, with a certain Henry James novella being a particular influence, I suspect. Loosely inspired by real-life events, it tells the story of Laura (Florencia Colucci ), a young woman ...